Case Studies

Archivio Luce (Cinecittà, Rome) successfully employs Polar HQ to digitize severely damaged film reels

During a recent visit to Archivio Luce (Cinecittà) in Rome, Digital Film Technology (DFT) observed the successful use of the newly installed Polar HQ film scanner. Archivio Luce digitized several extensively damaged film reels including a 35mm print of an animated film released in 1938.

The Archivio Luce team expressed great admiration for the Polar HQ’s groundbreaking capability to continuously scan film previously considered unscannable.  This milestone marked a special achievement at Archivio Luce, Italy’s national film archive, which safeguards the audiovisual heritage of Italy’s 20th century and is recognized as one of the world’s preeminent collections, listed in UNESCO’s Memory of the World Register since 2013.

Polar HQ Film Scanner Used to Recover Original Camera Negative of Ingmar Bergman's "Wild Strawberries"

DFT recently had the privilege of welcoming representatives of the Swedish Film Institute (SFI) to its headquarters in Darmstadt. The SFI brought with them a cinematic treasure: a reel of the original black-and-white camera negative of Ingmar Bergman's 1957 classic "Smultronstället" (Wild Strawberries).

The Swedish Film Institute had acquired the original camera negative of “Wild Strawberries” some time ago, at which point one reel had already been severely damaged. Large portions of the left-side perforations were missing. The extensive damage to the film’s perforations posed fundamental challenges for conventional scanners. Failing synchronization and the significantly reduced width of the 35mm stock rendered the reel virtually impossible to scan.

Polar HQ was employed to overcome these challenges.

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what our customers say

"Seeing the Polar HQ successfully scan films once considered unscannable, was both surprising and deeply impressive” 

“This achievement sets a new reference in film scanning technology and shows how we can now safely digitize materials once thought impossible to preserve."

Massimiliano Forcina 
Head of Digital Film Conversion Area 
Archivio Luce (Cinecittá, Rome, Italy)

“We were really hoping everything would work out in  this scan project on Polar HQ with the original Ingmar Bergman negative roll. And it has worked out very well!" 

"We are very happy about that. It saves us from having to do a manual restoration, preparing the roll for scanning on a conventional scanner. It saved us a lot of time and money“

Per Legelius 
Head of Digitization and Restoration 
Swedish Film Institute (SFI, Stockholm, Sweden)

Scanity is globally renowned as the world’s best film scanner, producing fast, high quality film digitisation for the biggest features and franchises such as No Time To Die, The French Dispatch, Jurassic World Dominion, Once Upon A Time In Hollywood and many more. Its speed and versatility also make it ideal for use in archive and remastering facilities, offering digitisation to many different specs and formats, while its sprocket-less transport system enables scanning of even damaged and delicate film material.

ITV content services
UK

We are impressed with the speed, the gentle film-handling, the resolution, dynamic range, and ease of operation of dft's Scanity. Reliability is always a major factor, and we place a big emphasis upon commissioning, training and after-sales support. Our experience with dft has been exemplary. Although we are on the other side of the world, we have rapid response to any questions, and are continually impressed by the expertise of DFT's front-line staff

NFSA
Australia