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Landmark Labour Movement documentary “The Wobblies” makes its return to theaters over 30 years after first premiering at the New York Film Festival in 1979. The film has undergone a 4K restoration, which was digitally scanned by the DuArt Digitization Center using DFT’s Scanity.
"Dune" tells the story of a brilliant and gifted young man born into a great destiny beyond his understanding, who must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive. Interpreting this epic sci-fi novel for the screen saw a team with imagination and tenacity unify to present a shared vision of an otherworldly adventure. As part of the process, after the primary creative color pass was approved, FotoKem shot to 35mm negative film and scanned it back to digital on a Scanity film scanner.
In acclaimed director Edgar Wright’s psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamor is not all it appears to be and the dreams of the past start to crack and splinter into something far darker. Cinelab provided both full film laboratory services processing 35mm and graded film dailies and graded digital dailies for the film, and used DFT's Scanity HDR for film scanning.
Harold and Maude (1971) is an American coming-of-age dark comedy–drama film directed by Hal Ashby and released by Paramount Pictures. Newly restored and remastered in celebration of its 50th Anniversary, the original negative was scanned in 4K and careful colour correction and cleanup were undertaken to pay homage to director of photography John Alonzo's memorable work and honour the look of the film. The digital transfer was created in 2K resolution on a SCANITY film scanner from a 35mm interpositive, which had to be wetgated from the original negative since it was severely scratched and not suitable for scanning. Colourist Sheri Eisenberg, who worked on a previous transfer of the film with the late director of photography John Alonzo, referenced Alonzo's original notes and the previous telecine to generate this version.
After Life (1998) has been restored and released on Blu-ray. The premise is that after death, people have a week to choose only one memory to keep for eternity. After Life is presented in its original aspect ratio of 1.66:1. Approved by director Hirokazu Kore-eda, this new 2K digital restoration was created by TV Man Union. A new digital transfer was created in 2K resolution on a DFT Scanity film scanner, from a 35 mm duplicate negative made from the Super 16 mm original camera negative, at IMAGICA Lab in Tokyo.
THE FRENCH DISPATCH brings to life a collection of stories from the final issue of an American magazine published in a fictional 20th-century French city. Wes Anderson wanted to do this film in 4K, so rather than producing dailies on 2K and rescanning for the final DI, the dailies process used proper 4K scans on a Scanity.
The Jerusalem Cinematheque - Israel Film Archive recently launched an innovative website featuring Israeli cinema through its generations. The new website provides a unique opportunity to browse through Israel’s visual history as documented in newsreels, home movies, and rare films from the late 19th century. Here is a sample of some of the rare historical videos demonstrating just a fraction of the vast wealth of historical materials that the Jerusalem Cinematheque - Israel Film Archive website contains. The Central Post office in Tel Aviv, Rosh Hashana (1952) - Postman leaves the central post office in Tel Aviv, carrying bags for distribution on New Year. In the central post office, many clerks and sit in front of piles of mail, sorting it out and preparing it for distribution. An Exhibition Showcases 100 years of Jewish New-Years Greeting Cards (1961) - An exhibition featuring 100 years of Rosh Hashanah greeting cards opens at the Youth Culture House in Jerusalem. The cards are from the private collection of Yaakov Zidkoni. Prayers in Synagogues and Chief of Staff's Greeting for New Jewish Year (1958) - In the Jewish month of Elul, Jewish believers say Selichot prayers in a synagogue. Prior to the New Jewish Year, a Judaica market opens outside the Great Synagogue in Tel Aviv. Close by, citizens buy happy new year cards at stalls on the street. Finally, the Chief of the General Staff Lieutenant General Haim Laskov delivers a happy new year greeting to the soldiers of the IDF and citizens of Israel. Prime Minister David Ben Gurion Delivers a New Year's Speech to the Nation (1958) - Prime Minister David Ben Gurion delivers a speech for the new Hebrew year. Tashlikh Ceremonies in Israel (1964) - Israeli Jews perform the Tashlich ritual during High Holy Days and pray near bodies of water.
Shot on film for Morly’s debut album, this black & white video for 'Jazz Angel' beautifully captures the feelings of loneliness expressed in the lyrics. Shot on 16mm film, processed by Kodak Film Lab & scanned at 2k using Scanity by Digital Orchard.
Shot on S8mm film, processed by Kodak Film Labs & scanned at 2k using Scanity byDigital Orchard.
Shot on film, in one take, here’s Billie Marten’s dreamlike video for the single 'Liquid Love'. Shot on 16mm film, processed by Kodak Film Lab & scanned at 4k using Scanity by Digital Orchard.
Music video for British singer songwriter RAYE, ‘Call on me’. 35mm Film Process & 2K Scanity HDR Scans at Cinelab London.
Music video for ‘White Picket Fence’, taken from the debut album, Agor. 35mm Film Process & 2K Scanity HDR Scans at Cinelab London.
Australia's national film archive (NFSA) has released colourised footage of the last known surviving Tasmanian tiger - or Thylacine - for National Threatened Species Day. The NFSA scanned the original film negative using a Scanity HDR (High Dynamic Range) film scanner. The 4K scan was absolutely stunning for a 35mm negative from 1933… and because of the resolution and quality of the picture, there were a lot of details…
Netflix comedy-drama series, Master of None, was shot on celluloid film, with dailies processed, scanned, and graded at Cinelab London. The story follows a complicated relationship of a queer Black couple going through both personal and professional obstacles. Director and star Aziz Ansari said “For Master of None we wanted this combination of really natural, raw acting with the mystical quality of film...We shot on a 416 on 16mm for its texture and nostalgic look. It’s also a lot easier to pick up and play with colour contrasts on film… I think for this project in particular, it might be the best result I’ve ever had on 16mm.” Master of None was scanned using a 2K Scanity 'scan once' workflow at Cinelab London and was released on Netflix in May 2021.
35 years after the release of Wham!’s iconic ‘Last Christmas’ music video, Sony and legendary original music video director Andy Morahan re-released the video classic in astonishing 4K. In order to achieve exceptional clarity, Morahan unearthed the original 35mm rushes and worked closely with Cinelab London to breathe new life into them. Cinelab London scanned 7 rolls of original 35mm at 4K on dft’s Scanity HDR 4K scanner to allow for maximum flexibility in the grade and edit. The beauty and details of the original film negative were captured in the very best way possible, capturing detail never seen before.
Director Jack Driscoll’s beautifully honest film for Bloom and Wild portrays a young woman remembering many special moments shared with her big sis over the years. How can she thank her? Cinelab London were responsible for 35mm & 16mm film processing, Scanity HDR “Scan Once” 2K scans and deliverables.
1992 erotic thriller, Basic Instinct, has been restored from the original 35mm negative by the restoration team at Hiventy. Using Scanity, the first step was to scan the 35mm image negative in 4K – including previously censored shots that were missing from the negative but later discovered in the internegative. STUDIOCANAL project manager, Sophie Boyer: “Thanks to this, we were able to restore the full length version of the film, the only version that Paul Verhoeven (the director) wanted to have restored.”
One of the first projects using Scanity for LA-based Spectra Film and Video, was the processing and scanning of the latest music video for American indie rock musician, Phoebe Bridgers. Shot on Super 16mm, Spectra completed all processing and scanning, with the colour correction done off site.
British sports journalist, Ned Boulting, famous for his coverage of the Tour de France, bought an old film reel of the race at a London auction house. Curious about what was on the reel, Ned began looking for a company to scan and digitise the footage. In his search he was advised that scanning the film may result in irreparable damage. “I was very worried when I was told that the sprockets were so torn it might not be possible to scan the film, because it might be destroyed in the process”. R3store Studios was recommended for the scanning due to their sprocket-less scanner which allows them to scan and digitise even the most delicate and damaged film up to 4K.
Award-winning film Australia Daze, which documented the bicentenary of European settlement in Australia, has been digitally restored by the NFSA. The film looks behind the curtains of the official celebrations of the Bicentenary of European settlement in Australia. Cameras rolled for 24 hours, capturing everything from Aboriginal and Torres Strait Islander protests to Royal visits and backyard barbies; from the spectacle of Tall Ships coming through the Sydney Heads to re-enactments on dry riverbeds in outback Australia. The original print negatives were scanned in-house at the NFSA in Canberra, using the Scanity digital scanner, before being cleaned and fully restored.
Full-service, German post production house, OMNIMAGO, has recently completed work to digitise 35mm films with a native resolution of 8K for NHK, Japan’s national broadcaster. Best known for its world-class documentaries and factual series, NHK has also become synonymous with high-resolution broadcasting, pioneering the move to higher resolutions.
Director Malcolm Leigh’s Legend of the Witches (1970) has been restored for BFI Flipside, dedicated to rediscovering and reclaiming a space for forgotten movies and filmmakers who would otherwise be in danger of disappearing from our screens forever. The film looks in detail at previously hidden magic rites and rituals. Sharing the secrets of initiation into a coven, divination through animal sacrifice, ritual scrying, the casting of a 'death spell', and the chilling intimacy of a Black Mass. It also explores Britain's hidden pagan heritage and its continued influence on our lives today.
Made by Wes Craven immediately prior to his smash-hit A Nightmare on Elm Street, The Hills Have Eyes Part II is a fun action-horror thrills and spills replete with mutants, motorbikes, and - oh yes - dog flashbacks! The 2K restoration from original film elements was done by R3Store Studios.
Bruce Beresford’s epic Black Robe (1991) has been digitally restored by Australia’s National Film and Sound Archive. Originally shot in Canada and post-produced in Sydney, the master materials were returned to Canada on completion of post-production with just a safety inter-negative and sound master being held in Australia. The inter-positive was found in a storage facility in Toronto and original negatives were never found, and the reel four was missing...
Prasad has recently digitised and restored the 1982 Richard Attenborough classic film Gandhi, winner of eight Academy Awards including Best Picture and five Golden Globe Awards including Best Foreign Film. The original negative scan was done on Prasad's own flagship film scanner at 4k/16 bit resolution. Thanks to Grover Crisp and Sony Pictures they were able to restore this classic to its original glory.
Recently remastered by R3Store Studios for the BFI, Scandal is a fictionalised account of the Profumo Scandal of 1963 that rocked the government of British Prime Minister Harold Macmillan. The story features an exotic dancer’s affair with the Secretary of State for War which goes public. The scandal tears through the government and threatens the lifestyles and freedom of those involved. This newly restored 30th Anniversary Edition has been restored from a 4K scan of original film materials.
Quentin Tarantino's ninth feature film is a story that takes place in Los Angeles in 1969, at the height of hippy Hollywood. The film is set in 1969 Los Angeles, where an actor and his stunt double navigate the changing Hollywood film industry. The Hollywood Reporter called it "Tarantino's love letter to '60s L.A." and praised its cast and setting. ‘Once Upon a Time in Hollywood’ was shot on film, and the film dailies were also later used for an edited workprint. The negative was processed at FotoKem, who also printed the dailies and did a 4K scan of the negative using a Scanity .
Newly restored in 4K to mark its 30th anniversary, Terence Davies' acclaimed Distant Voices (1988) has been restored from the original camera negative. This classic British film evokes post-war working-class Liverpool life in a two-part film, by turns lyrical, humorous and horrific.
William Wyler’s 16mm Memphis Belle film footage (1943) has been digitally preserved using a Spirit 4K scanner and Phantom software. The original film was delicate and damaged - having shrunk by an average of 1.4%! Find out how Spirit's gentle handling contributed to the restoration.
This new digital transfer was created in 4K resolution on a Scanity film scanner from 35mm original camera negative. "While I do not have an older home video release of this film to perform some direct comparisons, the current presentation is so good that I can't imagine that it is anything but a dramatic improvement in quality. Indeed, the entire film looks enormously healthy and all of the key qualities that we address in our reviews are very solid. Depth and fluidity in particular are outstanding, but the color scheme is also very impressive. Delineation is consistently pleasing, and as far as nuances are concerned there are all kinds of different ranges that basically make these types of high-definition releases of older films so attractive. Image stability is outstanding. Great organic presentation."
This new digital transfer was created in 4K resolution on a Scanity film scanner from a 35 mm safety fine-grain master made from the original nitrate negative. The restoration was performed by Digital Film Restore in Chennai, India.
Mission: Impossible - Fallout was shot on film and then edited in 4K with IMAX and stereo deliveries. Film was processed at Cinelab (London) and scanned at Pinewood Post on a Scanity at 4K for an eventual 4K delivery.
Burbank-based post house FotoKem provided creative and technical services for the Disney/Lucasfilm movie Star Wars: The Last Jedi. The facility built advanced solutions that supported the creative team from production to dailies to color grade. Services included a customized workflow for dailies, editorial and VFX support, conform and a color pipeline that incorporated all camera formats (film and file-based). A remote post facility was assembled near-set in London where film technician Simone Appleby operated two real-time Scanity film scanners, digitizing up to 15,000 feet a day of 35mm footage at full-aperture 4K resolution.
Sex, Lies, and Videotape (1989) delivers a multilayered character examination on the complications of the narcissistic end of the Reagan era 1980s and the seeds of the personal video age we are living through today wherein everyone is armed with their own video devices. This new digital transfer was created completely in 4K on a dft Scanity film scanner from the original 35mm camera negatives.
This rare view of traditional dances of Jews from the Atlas Mountains, was originated on a reversal 16mm film reel and then scanned at IFA's digitisation lab using Scanity as part of IFA's mass digitisation, digital preservation and access project to safeguard our shared treasures for years to come.
“R3store Studios is in the business of restoring old film to the finest standards and the dft Scanity with its sprocketless and smooth continuous motion transport combined with the rolling gate mechanism and high depth-of-field gives us ultimate quality from very challenging film elements in resolutions up to 4K” Gerry Gedge – R3store Studios
Marking the 150th anniversary of the All England Lawn Tennis and Croquet Club (AELTC), R3Store Studios have been working on the restoration of a “huge amount” of its archive. Around 30 hours of content, dating from the 1920s to the 1980s is being restored, including official films and news reels. The content features both match action and old interviews with players such as Connolly and Perry. The project has uncovered a host of 'lost' footage and the original negatives of many classic Wimbledon moments. R3store Studios, is scanning the film and is also responsible for the automated restoration and manual frame-by-frame repairing of images. Jo Griffin, COO of R3store Studios said: “Working from the original negs has been wonderful and I think everyone who views this content will be amazed at just how fantastic it now looks.”
Moonrise (1948) is part southern gothic tale, melodrama, and film noir, with it’s opening sequence ‘… a master class in black-and-white photography’. This new digital transfer was created in 4K resolution on a dft Scanity film scanner from the 35mm nitrate original camera negative.
National Archives have recently partnered with Vulcan Productions and Creative Differences to digitally preserve the outtakes of William Wyler's Memphis Belle and original footage from Berlin in 1945, for a new feature length documentary, ‘The Cold Blue’. The original Kodachrome was scanned by NARA in 4K resolution using a dft Spirit film scanner. While the colour of the originals remains beautiful, the film has shrunk over time, requiring careful handling and slow scanning speeds to avoid damage. In total, it took 80 hours to scan the reels and generated over 80 TB worth of data. The Cold Blue uses the original footage and accounts of veterans to illustrate the complexity of the missions, highlight the camaraderie of the crew, show appreciation for the ground crews, and to explore their thoughts on the events as they occurred, and looking back seventy-five years later.
Supervised and approved by director of photography Roger Deakins, this 6-bit 4K digital transfer was created on a dft Scanity film scanner from the original 35mm camera negative at Deluxe in Culver City, California. "Sid & Nancy looks excellent in this high-definition transfer, showing that Criterion still cares greatly about one of its earliest releases. With grain intact, details are strong, colors are nice and the overall image is a significant improvement over the initial DVD release."
Recently released by the Criterion Collection, this movie has been given a new 4K scan and provides a remastered stereo audio track and a 5.1 remix. Supervised by director of photography Stephen H. Burum and approved by director Francis Ford Coppola, this new 16-bit 4K digital transfer was created on a dft Scanity film scanner from the 35mm original camera negative.
The Associated Press has restored original and unique footage from the Wedding of Prince Charles and Lady Diana Spencer in July 1981 and is releasing it in 4K on YouTube. The footage comes from the British Movietone archive, which was acquired by the AP in 2016. British Movietone was the only company to film the wedding on high quality 35mm film, whereas others filmed it on standard definition video tape. As a result, this 25 minute British Movietone documentary represents the highest resolution of footage of the wedding known to exist. AP retrieved the original film negatives to complete an intricate transfer of the material to 4K. Alwyn Lindsey of the Associated Press: “The images from Charles and Diana’s wedding are familiar to millions but the fact the British Movietone filmed the wedding on 35mm film has allowed AP to make the video available for the public to enjoy at a quality never seen before. The restored 4K film is simply stunning and a world away from the 1980s videotape versions that we’re familiar with.”
A Hard Day’s Night follows the fab four through a fictionalized ‘typical day’ of running from hoards of crazed fans, traveling by train, hanging out in their hotel room, meeting the press, cracking wise, filming a live TV show and, finally, performing for a capacity crowd of those same of hysterical fans who simply will not stop screaming. Using the latest in digital restoration technology, the Criterion Collection was able to restore the film from the 35 mm original camera negative, which, though incomplete, was in excellent condition. The missing material was taken from two original interpositives. The image was scanned in 4K resolution on a Scanity film scanner to retain the character of the film’s original printing stock without any generational loss, and the raw data was carefully treated using a variety of digital tools to remove dirt, scratches, flicker and other damage.
British Film Institute uses Scanity across a range of projects - including the preservation and sharing of these moments from Britain's footballing history.
dft’s new WetGate technology is designed specifically for dft’s Scanity HDR model providing a real-time organic solution for the ingest and management of difficult to solve historical film transfer issues – such as dust and scratch removal – surpassing prior transfer standards. The WetGate is ideal for archive owners who need a scanner that’s able to handle a range of problematic and historically-aged film issues.
Watch the WetGate process demo video
LAC selected a film scanning solu-tion built around the dft Scanity film scanner and complemented by a colour correction suite featuring BlackMagic’s Resolve software. Scanity met all our specifications for image resolution, safe film handling, scan-ning speed and audio capture support for both optical and magnetic soundtracks.
1930’s two-colour classic ‘King of Jazz’ has been recently restored. This has been a lengthy and complex project, involving numerous parties. As part of the process, a surviving nitrate print from 1930 with a length of 83 minutes was found, and scanned at 4K by Prasad Corp. on a Scanity, because the print’s 1.8% shrinkage demanded sprocketless scanning.
Nearly 30 years after its Broadway premiere, the Pulitzer Prize-winning Fences is the first August Wilson play to make it to the big screen. According to cinematographer Charlotte Bruus Christensen, Fences is a passion project for Washington, who also signed on to direct the movie. Footage was processed at Fotokem in Burbank, Calif, and the negative was scanned at 4K and oversampled down to 2K on a dft Scanity film scanner.
Private Property was scanned in 4K resolution on the Scanity film scanner at Cinelicious from the earliest known existing element, a 35mm dupe negtive recently discovered and preserved by the UCLA Film & Television Archive. The resulting data was then digitally restored frame-by-frame using a variety of tools to remove dirt, scratches, flicker and other damage. While the full aperture elements were completely restored, the film is presented in its original theatrical aspect ratio of 1.66:1.
Greg MacGillivray has been working in the film world for 40 years. His films demand the finest image quality possible and he gets that with our technicians and Scanity HDR scanner. We proudly provided scanning services for his films Humpback Whales and National Parks Adventure.
For over 30 years, the filmmaker Bill Morrison has been resurrecting forgotten footage and finding its place within often equally forgotten historical and cultural contexts.
Konrad Wolf’s 1977 film ‘Mama, ich lebe’, has been digitised for the DEFA Foundation at Omnimago. The project is the first to use dft’s new WetGate technology, in conjunction with dft’s Scanity 4K scanner.
‘The Memory of Justice’, created in 1976 by Marcel Ophüls, examines three of the defining tragedies of the Western world in the second half of the 20th century, from the Nuremberg trials through the French-Algerian war to Vietnam, building from a vast range of interviews, from Telford Taylor (Counsel for the Prosecution at Nuremberg, later a harsh critic of US’s escalating involvement in Vietnam) to Nazi architect Albert Speer to Daniel Ellsberg and Joan Baez.
A notable recent project for renowned color and finishing studio Nice Shoes was director Martin Bell’s upcoming documentary Tiny: The Life of Erin Blackwell, which is a follow-up to Bell’s 1984 film Streetwise. Utilizing the Scanity, 16mm footage from Streetwise was scanned in at 4K, to be cut into the new film as well as to be archived at a higher resolution. “With the Scanity, we were able to aid Martin in upgrading the material from Streetwise in the early 80s so that it would match well with the footage captured for Tiny which he’s shot over the past few years. It's great for us to offer this to documentary filmmakers like him, who are often working with beautiful archival footage," said Nice Shoes colorist/partner Chris Ryan.
This black and white, hand coloured silent comedy has been restored by the National Library of Norway
In 2015 Digimage restored in 4K the French masterpiece “Fanny” (1932) by Marc Allegret. Unfortunately, the film negative doesn’t exist anymore and Digimage only had the nitrate fine grain dupe positive at their disposal. Thanks to the Scanity, Digimage reached a result that met their expectations.
IKIRU (translated as "To Live"), a 1952 Japanese film directed and co-written by Akira Kurosawa, describes the struggles of a middle-aged Tokyo bureaucrat and his quest for meaning after discovering he has terminal cancer. The film appeared in Empire Magazine's greatest 500 films of all time. Recently remastered and released as on Blu-Ray disc, this review states that “This new digital transfer was created in 4K resolution on a Scanity film scanner from a 35 mm fine-grain master positive, the best remaining film element of IKIRU, whose original negative no longer exists.”
The 1975 Australian constitutional crisis, also known simply as "the Dismissal", has been described as the greatest political and constitutional crisis in Australian history. It culminated on 11 November 1975 with the dismissal from office of the Prime Minister, Gough Whitlam. Much of the footage taken of the events mysteriously disappeared. The original footage that still remains was donated to NFSA to be digitally preserved. Using Scanity, the footage has been captured and presented in its original quality to ensure its safety for viewing by future generations.
Thriller 'Dressed to Kill' has recently been remastered and released. The release was supervised by Brian De Palma and is a new digital transfer created in 4K resolution on a Scanity film scanner from the 35 mm original camera negative as well as a 35 mm interpositive for additional footage for the unrated cut. Reviews state that "... the original release had major issues with stretching and color grading, which now appear to be corrected. Detail levels are fantastic throughout while the natural film grain only add to the appeal. Colours are finely balanced while never seemingly pumped up or oversaturated. There were no major instances of dust marks, scratches or other ailments making for the best this movie has ever looked, including the MGM/Fox Blu-ray release."
1979 classic children’s film ‘The Black Stallion’ has been recently remastered and re-released as a Blu-ray disc. The new digital transfer was created in 4K resolution on a Scanity film scanner from the 35 mm original camera negative, which was then restored in 2K resolution.
Cinelicious (www.cinelicious.tv), with locations in Hollywood and Santa Monica, is a creative studio that offers a host of post services that includes HD/2K/4K color grading for commercials, ...
Created by the Lumière brothers over 100 years ago, and discovered by La Musée Suisse de l’Appareil Photographique de Vevey, this short, 20 second film depicts a French family outing.
The film, an almost complete version of Empty Socks, was discovered during an inventory at the library’s facility in Mo i Rana, near the Arctic circle
BBC Studios and Post Production’s specialist Digital Media Services team has completed full restoration work on the classic British murder mystery series Miss Marple, bringing the picture quality up to date for 21st century audiences.
It's just over a year since the National Film and Sound Archive (NFSA) took delivery of the first Scanity in Australia. As we celebrate our 30th anniversary, we look back on the first 12 months of operation. ...
Thirty years after it was first broadcast on British television, BBC Studios and Post Production’s award-winning Digital Media Services team has digitally restored and remastered over 30 hours of film ...
BBC Studios and Post Production’s award-winning Digital Media Services team has restored the complete first series of the cult classic British crime-drama, ...
Following the release of The Sweeny film, which saw Ray Winstone taking on John Thaw’s Regan role, home entertainment label Network Distributing decided it was time to bring the original...
For anyone above a certain age, the towns of Trumpton, Camberwick Green and Chigley, with their weird and wonderful collection of characters, hold a special place in our hearts...
The Malaysia National Film Development (FINAS) is the federal government agency for the film industry of Malaysia. It was established in 1981 by an act of Parliament...
Opening a boutique post house with a focus on film projects could be perceived as risky in this day and age, but Paul Korver, the principal officer at Cinelicious in Hollywood, ...